The art of irony: ARIEL PINK released "Never Made A Demo, Ever"

After being cancelled and finishing his contractual duties with Mexican Summer by the label’s decision, practically putting his career in serious issues, ARIEL PINK is back with a new release which, although it looks like a demo, is a brand-new edition of the prolific musician. This time, as in the old days, independently released.

Well, yes, because Mexican Summer kicked him out, as he argues in the opening with the hilarious diatribe that is «Cancelled!» simply for passing through the remembered Capitol conflict of 2021, even though Ariel, a Trump supporter, did absolutely nothing—cancelling a performer for his political views? Nonsense, that cost him a lot of money. Surprising «Girl Chewing Gum and Crossing Street», a truly oppressive and dissonant song that, like «Time to Live» from Dedicated to Bobby Jameson (2017) – an album we reviewed – maintains a basis for musical improvisation to take place. This dark tone is the common denominator of the album from here on in.

Three instrumentals – «Double Dutch», «Show Don’t Tell», and «Rudolf’s Laptop» (available with lyrics on Spotify) – and a series of intricate compositions. For example, «Diaper Duty» is the typical dark ARIEL PINK that provokes an encouraging smile. It’s a dark bass line that progresses into a bittersweet New Wave. I remembered that a few years ago – ten, actually -Ariel told me: the most joyful songs are the most angsty, like R.E.M.’s ‘Shiny Happy People’«. The album can be read in that healthy and contradictory mix. There are also obligatory hits, like «Weekend Wonders» or beautiful nightmares like «No Stars in L.A.».

Surprisingly, we find a new, much darker version of «Menopause Man», a hit from the essential Before Today (2010). But masterfully performing a tribute was not enough: the cover of BLUE OYSTER CULT’s «Don’t Feat The Reaper» is not only unexpected but also excellent. Without a doubt, this is a remarkable album from ARIEL PINK that requires many listens to appreciate its richness. Indeed, it is a light in the predictable culture industry. I could hardly imagine a better comeback. Thank you very much, Ariel.